Originally, due to conflicts with Feng Kuzi and Huayi Brothers, Liu Zhou had thought about intercepting the two most important works in Feng Kuzi's career: *Assembly* and *Aftershock*.
Additionally, Liu Zhou had written the script for *Youth*—the only decent film Feng Kuzi produced in his later years—ahead of time.
If Feng Kuzi hadn't had quite a few works with strong personal styles, Liu Zhou could have practically plucked him clean.
Chapter 394