The Knot is a good film, but given the current domestic film and television environment, good films do not necessarily win popularity.
Aesthetics go in cycles. In the past, domestic films were mostly arthouse pictures with educational value, which is why today's audiences prefer commercial blockbusters with strong visual impact.
Only after audiences grow weary of high-impact blockbusters will the majority finally be able to sit down and calmly appreciate quality films with substance.
Chapter 412